April 4, 2012 § Leave a comment
Extended Drops currently can be heard and see at the Archéoforum de Liège, Belgium, from March 30th until April 29th, every day (except on Mondays), from 10h – 17h.
Pierre Berthet this spring also does a number of concerts. In Germany. He will perform on April 21st in Kunsthaus Kloster Gravenhorst, in Hörstel (Staubsauger und Tropfen – Two sound performances with air & water, 19h), on May 4th in the Maschinenzentrale/Lohnhalle Zeche Westfalen, Ahlen (Staubsauger, Messertisch und Blumentöpfe, 19h) and on May 5th in the LWL-Industriemuseum / TextilWerk Bocholt / Spinnerei, Bocholt (Staubsauger, Messertisch und Blumentöpfe, 19h). Details can be found on the Kunsthaus Kloster Gravenhors web site.
March 28, 2012 § 1 Comment
While the first two year-phase of the European Renonance project is drawing to an end (the ‘final’ – with works by Evelina Deicmane & Stefan Rummel – will be part of this year’s Sound City at the Flanders Festival in Kortrijk, Belgium), this April month provides a chance to once again experience Pierre Berthet‘s Resonance installation Extended Drops.
Pierre’s piece will be on show at the Archéoforum de Liège, Belgium, from March 30th until April 29th, every day (except on Mondays), from 10h – 17h.
The opening is on Thursday March 29th, starting at 18h.
You are all invited, cordially …
January 22, 2012 § 2 Comments
The old gated building at 58, Miera ielā (Peace street), in the city of Riga, the capital of Latvia, used to be a tobacco factory. It was there that the Latvian company Rīgas Tabakas Fabrikas, and later, as of 1992, British American Tobacco, produced Elita filter cigarettes. For a very long time Rīgas Tabakas Fabrikas, founded in 1887 by Abraham Maikapar, was Latvia’s biggest tabocca plant. It was forced to close down in 2009, apparently due to vast amounts of cigarettes that were being smuggled into the country.
Following its closure, Riga’s tobacco factory became one of those former industrial spaces in which, all over the world, contemporary art can be seen (and heard) to come to blossom.
Last fall, from mid-October till beginning of November, the Rīgas Tabakas Fabrikas provided stage and scenery for four Resonance sound installations, presented by Resonance’s associated partner Skanu Mesz, as part of the 2011 Riga Sound Forest festival.
The presentation in Riga was a ‘home coming’ for Latvian artist Evelina Deicmane‘s Resonance piece A Long Day, that was conceived last summer in Berlin, and premiered there at the Kunsthaus Meinblau: A Long Day is based upon the ancient myth of a village submerged by a flying lake, that is part of the Latvian folklore that originated in the area around the lake Butnieks, not far from the city of Riga and near the village where Evelina was born and raised.
Whereas A Long Day found a small and almost hidden niche in the former tabacco factory, shown in the pictures above, that seems a perfect fit for the sweet mystery of its subject, Esther Venrooy & Ema Bonifacic’s A Shadow of A Wall, compared to the previous installment of the work in Maastricht, and, especially the one in Kortrijk, looked a bit lost within the freshly decorated factory corridor, which, on the other hand, did account for a quite stunning visual effect.
And here are some impressions of how Pierre Berthet installed his Extended Drops in Riga’s former tobacco factory:
The fourth Resonance piece on show in Riga was Maia Urstad’s “Meanwhile, in Shanghai…”, comprising 80 portable radio’s that took up their temporary residence in what used to be the tobacco factory’s garage. There, in a way, they changed places with the trucks that transported tobacco also to Maia’s home country, Norway, until no more that a few years ago… “I found that former garage space very inspiring,” Maia wrote, “especially for a work like ‘Meanwhile, in Shanghai…’. The garage was like a thin shell to the outside world, with autumn leaves swirling between the radio’s, and with Latvia’s history as part of the former Soviet Union not even a stone’s throw away. It is as Viestarts Gailitis, the exhibition’s curator, said: there was a truly wonderful symbiosis between the installation and its location, it really seemed to belong there…”
[ All the above picture of Resonance installations at the Riga tobacco factory ©Ansis Stark ]
For the fifth Resonance piece on show last fall in Riga, one had to go outside, to the boards of the Daugava river, where Stefan Rummel did the second outdoor installment of the Articulated Chambers installation, that he created last year in Maastricht. Like in Maastricht, Stefan’s piece also in Riga became an intriguing addition to the cityscape, an alien element, that nevertheless looked as if it had been placed there for some mundane, practical reason. But what reason could it have been… ?
In comparison to the Maastricht installment, the sounds were playing back a little louder in Riga. “But the tracks had the same basis as in Maastricht,” Stefan wrote. “They were a little longer, though. Also, I added a couple of recordings that I made in Riga.”
[ There is a detailed online review, in two parts (and in Latvian), of the Resonance sound art show in Riga to be found on the Arterritory web site. ]
From Latvia, Esther Venrooy & Ema Bonifacic’s A Shadow of a wall, travelled on to Poland, where it joined Paul Devens’ City Chase as Resonance’s contributions to the 2011 edition of the Audio Art Festival in Krakow, also one of the network’s associated partners. A Shadow of a wall could be experienced there, November 18th-27th, in Bunkier Sztuki, be it in a far smaller version than that of its previous installments…
Paul Devens did a second version of his intricate City Chase installation for the 2011 Krakow Audio Art Festival, which could be seen and heard in Kathedra, from November 19th till 27th, this time re-sounding a piece composed from the fieldrecordings that Paul collected while biking around the city of Krakow.
On the Audio Art Festival’s web site you will find a telling video documentary on the many things that were going on at the Krakow festival, including short impressions of Paul Devens’ and Esther Venrooy’s installations.
From Riga and Krakow, City Chase, A Long Day and “Meanwhile, in Shanghai…” moved on to Maastricht, for the December Resonance exhibition at the Jan van Eyck Academy.
The next stop is Bergen, Norway, where in February a Resonance showcase will be hosted by Lydgalleriet, yet another of the network’s associated partners.
February 9, 2011 § Leave a comment
On the evening of the day that together with Esther Venrooy and city carilloneur Frank Steijns I climbed the tower of the Maastricht town hall, at Intro in situ there was the first edition of the monthly Café In situ.
There Esther Venrooy and Pierre Berthet explained and showed us their Resonance installations, and they recounted their Werdegang. Esther told us how her parents had been convinced that their daughter was an artist, already when she was but a baby girl aged 2. Pierre, on the other hand, recounted that he picked up the guitar all by himself when he was about 11. Because he loved the Beatles. And then he mentioned the onforgettable experience he had in 1969, when he was living for six months with his parent near the Lake Michigan in the United States.
“Every day the black community of the neighborhood would meet around the lake,” Pierre told us, “and play the drums. All these drums on the lakeshore… for me that is a fantastic sound art remembrance. It was an amazing sound to experience…”
As an example of her earlier work Esther played us two of her first, very concise and condensed, computer compositions. And Pierre had us listen to the recording of a duet that he performed with Arnold Dreyblatt in Groningen, in the late 1980s.
Towards the end of the evening we came to talk about the current gradual penetration of works of sound art in the world of commercial galleries, museums and into the homes of collectors. I asked Esther whether she would sell me (a version of) A Shadow of A Wall. And I asked Pierre whether he would come over to install Extended Drops in the dungeons of the little castle that one of these days I will acquire, in a warm and deep southern part of Spain…
Now Esther was categorical about it. “Yes, of course!” she said, with a malicious smile. “You can buy my car, you can buy anything you want …” Pierre had to think a little more. He seemed to wonder what would be the interest. But then soon enough he told us that if someone really insisted and had that much interest, he would be happy to come over and install his Extended Drops.
It was a telling conclusion to an interesting evening. You can listen to a short lo-fi audio report of this first Café In situ just below…