In Maastricht, in Berlin; then on to Riga …

August 28, 2011 § 1 Comment

Maastricht was hit by stormy weather, with thunder, rain and lightning, and covered by at times frightingly thick and dark clouds, when early in the morning of Friday August 26th I arrived at the Bassin, and once again entered Stefan Rummel’s Articulated Chambers installation. It felt a little magic, indeed, to find that during the 3 months out there in open space, at the far end of the quay next to the Timmerfabriek, Stefan’s installation had remained in perfect working condition.

The only proof of the time that had passed since the installation’s inauguration in May was provided by a few little spiders that had woven webs in some of the chambers’ corners…

spiderweb

It was the very last time that I – and anybody else – could experience Stefan’s work in Maastricht: I had come to witness the dismantling of the installation, a little later that morning. Not an easy task, as you may imagine. But once again, Intro in situ’s technical staff did a truly admirable job.

dismantling dismantling
spiderweb

Paul and Michael disconnected the two chambers. Then a lift truck pulled the second one out of the water, and placed it on the quay, while I shot a bit of video, that I subsequently edited into the following short impression of Articulated Chambers’ dismantling.

Next week the dismantled Articulated Chambers will be transported to Riga, where Stefan is going to put them together again. There a second installment of the piece can be experienced, between Thursday September 15th and Sunday November 6th, 2011. In October no less than four more installations will join the Resonance presentation in Riga: Pierre Berthet’s Extended Drops, Esther Venrooy’s A Shadow of A Wall, Maia Urstad’s “Meanwhile, in Shanghai…” and Evelina Deicmane‘s A Long Day.

Evelina’s installation will travel to Riga from Berlin, where it is on show, until September 11th, at the Kunsthaus Meinblau. A Long Day is partially inspired by a Latvian myth about an underwater village. You can read more about the myth of the flying lake in the interview with Evelina that I did in Berlin, in June.

Here are two pictures of A Long Day, as it can be seen now in Berlin: mechanical swings with speakers sway above the heads of the visitors, who thus share the perspective of the submerged villagers as an old lady tells her version of the story of the flying lake …

a long day
a long day

[ Photos of ‘A Long Day’: © Roman März & Singuhr ]

Evelina Deicmane’s installation A Long Day can be visited in Berlin until September 11th from Wednesday till Sunday, between 14h and 20h. Long night: September 11th, until midight. Entrance is free.
Kunsthaus Meinblau.
Auf dem Pfefferberg, Haus 5
Christinenstraße 18-19
10119 BERLIN.
More information on RESONANCE in RIGA to follow soon …

Stefan Rummel – Articulated Chambers, in Maastricht and Bergen

June 17, 2011 § 4 Comments

There was no official opening…

Stefan Rummel’s Articulated Chambers suddenly were there. Or so it seemed.
The installation by the German sound artist is the first Resonance installation that was constructed and set up, not inside, but outside: in public space. You may continue to find it over the next couple of months at the Bassin in Maastricht, at the far end of the quay lining the Timmerfabriek, where the connected chambers have been standing at least since the first day of the twelfth Kunsttour, that took place in the capital of the Dutch province of Limburg on May 28th and 29th.

But had they not been there already before?

articulated chambers

The two big wooden boxes that Stefan constructed in Maastricht, one black and one gray, fit in very nicely with the industrial buildings that are boarding the small port. One might think them part of some construction work or other, that is going on there. Or they could be containers of some sort, with merchandise that needs to be shifted on board of a boat, that probably will pass any minute now…

Only upon closer inspection visitors and passers-by will come to realize that, contrary to appearance, there is no obvious industrial function that comes with the two wooden structures, one of which is posed upon land, while the other, connected to it via a passage that is like a little bridge, is floating on the water. They probably will wonder what these might be, and only then become aware of the sounds that coming floating from inside. Sounds that blend with the sounds from the environment, but – again – are just that little bit different …

articulated chambers

For his Resonance installation Stefan Rummel was inspired by one obvious thing the different cities that will host the work have in common: there is a river running through each of them, and, in a way, his piece connects the city’s land with the city’s water. You can read much more on the construction of Articulated Chambers, and Stefan Rummel’s other works, in an upcoming extensive interview with the artist, soon here on the Resonance blog.

Articulated Chambers will remain at the Maastricht Bassin, until the end of August. The sound installation, which is solar cell powered, can be visited and experienced there, out in the open, be rain or be it shine, 24 hours a day and 7 days a week, next to the Timmerfabriek, which this year, from June 25th until December 18th, is meant to become the ‘biggest temporary European art museum’: Out of Storage will show, for almost half a year, hundreds of works from the collection of the French Fonds Régional d’Art Contemporain (FRAC) Nord-Pas de Calais (by artists like Pawel Althamer, Superflex, Andy Warhol, Sol LeWitt, Vito Acconci, Christian Boltanski, as well as Hedi Slimane, Atelier van Lieshout, Barbara Visser, Claire Fontaine and Liam Gillick) in Maastricht. This prestigious, European, project was initiated by Guus Beumer (Marres, Center for Contemporary culture in Maastricht), and curated by Hide Teerlinck (FRAC Nord-Pas de Calais).

It makes for an interesting coincidence and opportunity indeed: curious visitors that come to see the flood of art inside the Timmerfabriek, outside the building (on its parking lot, as it were) will be able to stumble upon Stefan’s installation: a little oasis of sound art, that they may enter, experience and reflect upon, when coming ‘out of storage’.

articulated chambers

Meanwhile in Bergen, Norway, Stefan Rummel made a second version of the Articulated Chambers. It is part of Extensions, a sound art exhibition at the Lydgalleriet curated by Carsten Seiffarth. Extensions will be showing Alvin Lucier’s classic piece Music on a Long Thin Wire, as well as sound installations by Resonance artists Pierre Berthet and Stefan Rummel. Pierre presents his Extended Speakers, one of the components of his Resonance piece Extended Drops.
The Bergen version of Stefan Rummel’s Articulated Chambers is, as he puts it, the ‘dry version’. In Bergen the piece has been set up inside the gallery space, and the second of the two chambers is not floating in the water. Also in this version, though, it is movable, as Stefan has placed the second box on metal springs.

stefan bergen

Stefan Rummel’s Articulated Chambers can be seen, heard and felt, day and night, 7 days a week, at the Bassin in Maastricht, until the end of August 2011.
The Extensions sound art exhibition in Bergen, Norway, opens on June 17th, and can visited there until July 17th.
Out of Storage, in the Timmerfabriek in Maastricht, opens on June 25th. It stays until December 18th.

Soundseeing III

February 22, 2011 § Leave a comment

Soundseeing is the title of an annual series of sound art events organized by a number of institutions in the German cities of Münster, Hörstel and Altenberge, all in the state of North Rhine-Westphalia. The third Soundseeing (Klänge zum Angucken) will take place from February 26th until July 10th, 2011.

Soundseeing III will include the last work made by German sound artist Rolf Julius, who recently passed away in Berlin: January 21st, 2011, was indeed “a sad day for small music,” as Steve Roden wrote in a touching article in remembrance of the artist. The work, from December 2010, will be installed by Rolf’s daughter, Maija Julius.

Pierre Berthet will install a ‘pocket version’ of his Extended Drops for Soundseeing III, at DA – Kunsthaus Kloster Gravenhorst, in Hörstel. The opening is on Saturday February 26th, at 19h.
The next day, Sunday February 17th, another installation of Pierre’s – Valve – will open at Cuba Cultur in Münster. Also that sunday evening at Cuba Cultur, Pierre will perform, with ‘Expirators and Drops’.

Here you can listen to a recording of Pierre Berthet performing Expirators and Drops in the workspace of Intro In Situ in Maastricht, on wednesday December 22nd, 2010.

Resonance in Maastricht

December 2, 2010 § 2 Comments

On Friday December 10th & Saturday December 11th, Resonance partners, artists and public will meet in Maastricht, on the occasion of the festive opening at Intro In Situ’s of the exhibition of two sound installations:
Pierre Berthet adapted his Extended Drops to the ground floor space of the Intro In Situ workshop. Pierre originally produced ‘Extended Drops’ at the Berlin Singuhr Hörgalerie for the smaller Wasserspeicher.
Esther Venrooy, in association with architect Erna Bonifacic, has developed “A Shadow of A Wall”, which can be experienced on the first floor of Intro In Situ’s space.

Here are some pictures of the setting up of Esther’s Maastricht installation:

ev ev
ev ev

The sounds of “A Shadow of A Wall” will provide a link with the sounds of the city of Maastricht, and specifically with those of the town carillon. Therefore, preceding the official opening of the exhibition at Intro In Situ’s, on Friday December 10th, there will be a special concert of contemporary music performed on the carillon of the Maastricht town hall.

In a program made up and arranged by Frank Steijns, carilloneur Boudewijn Zwart will play pieces by John Cage, Philip Glass and Paul Takahashi. The carillon music of course can be heard widely throughout the center of town, but the best place to enjoy it will be on the market square.

boudewijn zwart

Friday’s carillon concert starts at 20h.

The installations of Pierre Berthet and Esther Venrooy can be visited at Intro In Situ‘s (Capucijnengang 12, Maastricht) from December 11th, 2010, until January 30th, 2011. Opening hours: Wednesday till Sunday, between 12h and 17h. Entry: €3,-. Intro In Situ will be closed on Christmas days and New Year’s day. During the two months of exhibition, there will be a parallel program with performances and talks. Details on this will follow soon.

The Memory of Sound

November 24, 2010 § 1 Comment

Most of us will find it relatively easy to, more or less vividly, picture persons, things and events from the past. But – though the hearing of sounds and music, like tasting and smelling madeleine, can be a very powerful memory trigger – the human mind seems little capable to, all by itself, evoke the sounds that belong to these gestalts from the past. On the other hand, few will insist that there simply is no such a thing as a ‘memory of sound’.

But then what do we remember when we say that we remember a sound?

This fascinating question is at the heart of Soundtracks, a recent and ongoing work/project by the Belgian sound artist Stijn Demeulenaere. Soundtracks is basically an archive of handwritten notes containing memories of sound. At a presentation of the work you will find yourself in a quiet room, the walls of which are lined with wooden racks. On the racks there stand jars, each of which contains a small piece of paper. You may open the jars and read what is written on the papers…

Stijn Demeulenaere invites each of us to contribute to Soundtracks, by sending him our personal – handwritten – memories of sounds. Find out where to send your memories and some additional information on his Soundtracks page.

memoryjar

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