April 28, 2012 § 1 Comment
Following installments in Kortrijk, Riga, Maastricht and Bergen, Resonance‘s German partner Singuhr is currently hosting the fifth installment of Norwegian artist Maia Urstad‘s “Meanwhile, in Shanghai …”
In the Berlin version of her work, Maia Urstad continues her gathering of sonic details about time and place from local radio stations around the world, which are woven together in a subtle polyphony of voices, tones and white noise, transmitted via local FM-frequencies by a spiraling, labyrinthine collection of some 40 portable radio’s…
“Meanwhile, in Shanghai … (berlin)” opened on Wednesday April 25th in Kunsthaus MEINBLAU, Pfefferberg, Haus 5, Christinenstraße 18/19, Berlin. It can be experienced there each week from Wednesday till Sunday between 14h and 18h, until May 27th.
April 27, 2012 § 3 Comments
The final presentation of the first two year-phase of Resonance, before continuing for (at least) another two years with a new series of commissioned works of sound art by European artists, will be part of this year’s Sounding City, the sound-art-music program of the yearly Festival van Vlaanderen (Festival of Flanders) in Kortijk, Belgium.
Alongside works by Chris Watson, Jana Winderen, Christoph de Boeck & Patricia Portela, Leif Brush, Guy de Bièvre & Sofie von Bustorff, Erik Nerinckx, Alvin Curran, Dawn Scarfe, David Helbich and Bent Sørensen, the 2012 edition of Sounding City will present installations by Stefan Rummel (the Kortrijk installment of his Resonance work Articulated Chambers) and Evelina Deicmane.
This year’s edition of the Festival of Flanders’ Sounding City focuses on the relationship between sound and the public space. It opens on Saturday April 28th, with a guided tour, starting at 16h from the Budascoop, Kapucijnenstraat 10.
The Sounding City sound art works can be experienced in Kortrijk on Saturdays and Sundays, until Sunday May 13th.
For details, see the Sounding City web pages.
March 28, 2012 § 1 Comment
While the first two year-phase of the European Renonance project is drawing to an end (the ‘final’ – with works by Evelina Deicmane & Stefan Rummel – will be part of this year’s Sound City at the Flanders Festival in Kortrijk, Belgium), this April month provides a chance to once again experience Pierre Berthet‘s Resonance installation Extended Drops.
Pierre’s piece will be on show at the Archéoforum de Liège, Belgium, from March 30th until April 29th, every day (except on Mondays), from 10h – 17h.
The opening is on Thursday March 29th, starting at 18h.
You are all invited, cordially …
February 26, 2012 § 1 Comment
Maia Urstad and Paul Devens at the Lydgalleriet in Bergen
Friday February 24th saw the opening of a second Norwegian Resonance event, staged by the Lydgalleriet in Bergen, one of the network’s associated partners.
An indoor version of Stefan Rummel’s Resonance piece Articulated Chambers, and Extended Speakers, one of the components of Pierre Berthet’s Extended Drops piece, were part of the sound art exhibition Extensions (curated for the Lydgalleriet by Carsten Seiffarth) that could be seen and heard in Bergen last summer.
The coming five weeks the Norwegian sound art gallery will showcase the Bergen installments of Resonance works by Maia Urstad (“Meanwhile, in Shanghai…”) and Paul Devens (City Chase), in two rooms of the gallery’s temporary premises, at Skostredet 16.
“There were a lot of interested people, a good response and a very nice atmosphere,” Maia Urstad reported about the opening of the exhibition in Bergen, which continued to attract quite decent numbers of visitors during its first days.
A lot of people.
Maybe almost all of the inquisitive art loving people of Bergen.
But what about their children?
There was at least one visitor who wondered why they weren’t at Friday’s opening. In his ‘Wyatting’-blog entry on the event, Sven Sivertsen, who shot the pictures of the opening of Lydgalleriet’s Resonance exhibition, observes that there are hardly ever any children around when he visits Bergen’s Lydgalleriet. Even though, Sven writes, “much of what can be seen and heard there seems to be perfect for inquisitive people of all ages”. I think he raises an interesting point. Children – and maybe even especially children – will surely love to watch the little sounding cars move along the tracks of Paul’s City Chase, and wander through Maia’s suspended forest of old, whispering transistor radio’s… So let them see and let them listen. This is the music of the future, it dearly needs our childrens’ ears.
Paul Devens’ and Maia Urstad’s works can be experienced in Bergen every day, from 12h till 18h, until April 1st. If you are in or near Bergen, be sure not to miss them. And do bring your children along…
December 7, 2011 § 2 Comments
Like last year, also this December month in Maastricht Resonance will showcase a selection of the sound art works that were produced for the network. There are three of them, all hosted by the Jan van Eyck Academy, at the Academieplein 1. No more premieres, this time, as all eight works that were planned as part of this phase of the Resonance project, by now have been finalized. Still, for many visitors it will be a first encounter. And those that did see earlier installments of some or all of the works, will be able to investigate and experience how these pieces change and evolve from one space to the other.
The opening of this second edition of Resonance in Maastricht will take place on Friday December 9th, at 16h, at the Jan van Eyck Academy in Maastricht.
On Sunday December 18th, as part of the Resonance in Maastricht events, Dutch pianist Albert van Veenendaal, who recently released a new solo CD, Minimal Damage, will perform a special prepared piano concert at the Jan Van Eyck Academy, at 17h.
Entrance for the exhibition, as well as for the concert, is free.
The pieces included in the exhibition, are those by Evelina Deicmane, Paul Devens and Maia Urstad.
Evelina Deicmane‘s A long Day premiered in Kunsthaus Meinblau in Berlin, last August, then travelled to Riga, where it was part of this autumn’s presentation of Resonance works by the network’s associated partner Skanu Mesz.
The second work on show this time in Maastricht, is City Chase, by native Maastricht sound artist Paul Devens. City Chase premiered at the Resonance presentation Sound City (De Klinkende Stad), as part of this year’s Festival of Flanders in Kortrijk, Belgium. Paul did a second presentation of the work in November in Krakow, Poland, at the Audio Art Festival 2011, another of the Resonance network’s associated partners. In this third installment of the work, Paul will chase and map the city of Maastricht, where he was born and raised, and has lived and worked ever since.
The third work to (re-)discover as part of the December Resonance presentation at the Jan van Eyck Academy in Maastricht, is Maia Urstad’s “Meanwhile, in Shanghai …” which, like Paul Devens’ work, premiered at Sound City (De Klinkende Stad) in Kortrijk, Belgium. Also Maia Urstad did a second installment of her work this autumn in Riga. Here is a visual impression of “Meanwhile, in Shanghai …”, as it could be seen and heard earlier this year in Riga, the capital of Latvia …
Meanwhile at the Jan van Eyck Academy in Maastricht, another bunch of transistor radio’s is deligently being installed for a third rendition of this fascinating, ethereal work, that, like the pieces by Evelina Deicmane and Paul Devens can be seen, heard and experienced all of this December month as part of the Resonance network’s showcase in Maastricht, the Netherlands.